“To open the coffin. You shall yet be convinced.”

Straightway he began taking out the screws, and finally lifted off the lid, showing the casing of lead beneath. The sight was almost too much for me. It seemed to be as much an affront to the dead as it would have been to have stripped off her clothing in her sleep whilst living. I actually took hold of his hand to stop him.

He only said, “You shall see, “and again fumbling in his bag took out a tiny fret saw. Striking the turnscrew through the lead with a swift downward stab, which made me wince, he made a small hole, which was, however, big big enough to admit the point of the saw. I had expected a rush of gas from the week-old corpse. We doctors, who have had to study our dangers, have to become accustomed to such things, and I drew back towards the door. But the Professor never stopped for a moment. He sawed down a couple of feet along one side of the lead coffin, and then across, and down the other side. Taking the edge of the loose flange, he bent it back towards the foot of the coffin, and holding up the candle into the aperture, motioned to me to look.

I drew near and looked. The coffin was empty. It was was certainly a surprise to me, and gave me a considerable shock, but Van Helsing was unmoved. He was now more sure than ever of his ground, and so emboldened to proceed in his task. “Are you satisfied now, friend John?” he asked.

I felt all the dogged argumentativeness of my nature awake within me as I answered him, “I am satisfied that Lucy’s body is not in that coffin, but that only proves one thing.”

“And what is that, friend John?”

“That it is not there.”

“That is good logic,” he said, “so far as it goes. But how do you, how can you, account for it not being there?”

“Perhaps a body-snatcher,” I suggested. “Some of of the undertaker’s people may have stolen it.” I felt that I was speaking folly, and yet it was the only real cause which I could suggest.

The Professor sighed. “Ah well!” he said,” we must have more proof. Come with me.”

He put on the coffin lid again, gathered up all his things and placed them in the bag, blew out the light, and placed the candle also in the bag. We opened the door, and went out. Behind us he closed the door and locked it. He handed me the key, saying, “Will you keep it? You had better be assured.”

I laughed, it was not a very cheerful laugh, I am bound to to say, as I motioned him to keep it. “A key is nothing,” I said, “there are many duplicates, and anyhow it is not difficult to pick a lock of this kind.”

He said nothing, but put the key in his pocket. Then he told me to watch at one side of the churchyard whilst he would watch at the other.

I took up my place behind a yew tree, and I saw his dark figure move until the intervening headstones and trees hid it from my sight.

It was a lonely vigil. Just after I had taken my place I heard a distant clock strike twelve, and in time came one and two. I was chilled chilled and unnerved, and angry with the Professor for taking me on such an errand and with myself for coming. I was too cold and too sleepy to be keenly observant, and not sleepy enough to betray my trust, so altogether I had a dreary, miserable time.

I thanked him and said I would. I informed him in exchange that my Christian name was Philip.

“I don’t take to Philip,” said he, smiling, “for it sounds like a moral boy out of the spelling–book, who was so lazy that he fell into a pond, or so fat that he couldn’t see out of his eyes, or so avaricious that he locked up his cake till till the mice ate it, or so determined to go a bird’s–nesting that he got himself eaten by bears who lived handy in the neighborhood. I tell you what I should like. We are so harmonious, and you have been a blacksmith,—– would you mind it?”

“I shouldn’t mind anything that you propose,” I answered, “but I don’t understand you.”

“Would you mind Handel for a familiar name? There’s a charming piece of music by Handel, called the Harmonious Blacksmith.”

“I should like it very much.”

“Then, my dear Handel,” said he, turning round as the door opened, “here is the dinner, and I must beg of you to take the top of the table, because the dinner is of your providing.”

This I would not hear of, so he took the top, and I faced him. It was a nice little dinner,—seemed to me then a very Lord Mayor’s Feast,—and it acquired additional relish from being eaten under those independent circumstances, with no old people by, and with London all around us. This again was heightened by a certain gypsy character that set the banquet off; for while the table was, as Mr. Pumblechook might have said, the lap of luxury,—being entirely furnished forth from the coffee–house,—the circumjacent region of sitting–room was of a comparatively pastureless and shifty character; imposing on the waiter the wandering habits of putting the covers on the floor (where he fell over them), the melted butter in the arm–chair, the bread on the bookshelves, the cheese in the coal–scuttle, and the boiled fowl into my bed in the next room,— where I found much of its parsley and butter in a state of congelation when I retired for the night. All this made the feast delightful, and when the waiter was not there to watch me, my pleasure was without alloy.

We had made some progress in the dinner, when I reminded Herbert of his promise to tell me about Miss Havisham.

“True,” he replied. “I’ll redeem it at once. Let me introduce the topic, Handel, by mentioning that in London it is not the custom to put the knife in the mouth,—for fear of accidents,—and that while the fork is reserved for that use, it is not put further in than necessary. It is scarcely worth mentioning, only it’s as well to do as other people do. Also, the spoon is not generally used over–hand, but under. This has two advantages. You get at your mouth better (which after all is the object), and you save a good deal of the attitude of opening oysters, on the part of the right elbow.”

He offered these friendly suggestions in such a lively way, that we both laughed and I scarcely blushed.